Nov 28, 2022
Check out this conversation with Aaron Myers-Brooks, Pittsburgh
prog guitarist/composer extraordinaire. His latest album,
“Oblique,” is a microtonal odyssey exploring various quirky
polyrhythms, applications of 17-tone equal temperament, electronic
sounds, and distortion flavors. We get an inside exclusive look at
the scores to “Energy Shapes”, figure out why one might use up and
down arrows instead of Gould accidentals, and talk about “drawing”
microtones in the highC program.
Music
[Intro] Aaron Myers-Brooks - Energy Shapes (V - Emerge)
Aaron Myers-Brooks - Eight HighC Miniatures (VII - Chitter)
Aaron Myers-Brooks - Sonata for 17-tone Guitar (I - Wistful and
Halting)
Aaron Myers-Brooks - Prelude and Entity
Aaron Myers-Brooks - The 11th and 6th Caves
Aaron Myers-Brooks - Energy Shapes (II - Oblique)
Aaron Myers-Brooks - Sonata for 17-tone Guitar (I - Wistful and
Halting)
Aaron Myers-Brooks - Sonata for 17-tone Guitar (II - Angular and
Aggressive)
Aaron Myers-Brooks - Chasm [from album “Energetic Bursts”]
Aaron Myers-Brooks - Energy Shapes (I - Wisp)
Aaron Myers-Brooks - Energy Shapes (II - Oblique)
Aaron Myers-Brooks - Energy Shapes (III - Chop)
Aaron Myers-Brooks - Triads and Arpeggios
Aaron Myers-Brooks - Energy Shapes (IV - De-Sync)
Aaron Myers-Brooks - Energy Shapes (V - Emerge)
[Outro] Aaron Myers-Brooks - Sonata for 17-tone Guitar (III -
Somber and Deliberate)
Aaron Myers-Brooks’ music (on all streaming sites):
https://aaronmyersbrooks.bandcamp.com/album/oblique
https://www.youtube.com/@aaronmeterchanges
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