Apr 12, 2022
How on earth does one create a 1200-tone tone row? Or even a 372-tone row in Sibelius? Find out in this wacky episode featuring Aaron Breeze, the swingin’ licc master himself! The broader topics in this thrilling, conversational episode include silliness and perceived complexity, the connection between playing and speaking, red dress methodology, repetition and intent, presentation in music, high-effort memes, mixing contexts and genres, and the social state of online spaces. We’re psyched that global icon Sarah Brand brought microtonality back
Music
Intro - Groovy Serialism in
372-TET (Aaron Breeze)
Captain Holt screaming (arr. Aaron
Breeze)
Troy
and Abed off to Dreamland (arr. Aaron Breeze)
Red
Dress (Sarah Brand) - reharmonized by Aaron
Breeze
Red
Dress (Sarah Brand) - reharmonized by Stephen
Weigel
CPAC
Anthem Video A CAPPELLA HARMONY! (QW4RTZ)
this
is the greatest piano concerto of all time (Aaron
Breeze)
3
Slapstick Piano Etudes (Aaron Breeze)
Red
Dress (Sarah Brand) - reharmonized by FAST-FAST
music
Friday Night (Tim Robinson) - from I Think You
Should Leave
Beethoven Symphony No. 5 but it’s in 5/8 and
5-EDO (arr. Aaron Breeze)
Outro - Red Dress (Sarah Brand) - reharmonized
by Aaron Breeze
Check out Aaron’s YouTube channel!
https://www.youtube.com/user/AaronBreezeComposer
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